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                   Cedric Price Architects was established 
                    in 1960 and this book features works from its early years 
                     iconic projects such as The Fun Palace and Potteries 
                    Thinkbelt, built projects such as London Zoos Aviary, 
                    and many less well-known schemes and writings. Additional 
                    essays are contributed by eminent architectural historians 
                    Reyner Banham, Royston Landau and Robin Middleton and colleague/critics 
                    such as David Allford, Peter Cook and Warren Chalk.  
                  The 
                    Square Book is a faithful reprinting of an original book entitled 
                    Cedric Price: Works II, published in 1984 by the Architectural 
                    Association (AA). Ron Herron and AA Chairman Alvin Boyarsky 
                    had invited Price to make the book to coincide with an exhibition 
                    of the work of his office at the AA in June the same year. 
                    Price complied as a favour to his dear friends 
                    although he has always been resistant to the crystallisation 
                    of his work in book form, being more inclined towards the 
                    immediate and ephemeral nature of magazines and journals. 
                    Price states that there is a point reached where if 
                    too much time is required to produce something its operational 
                    integrity is marred. This remark is central to Prices 
                    thesis that Time is the fourth dimension in architecture and 
                    that Change is its champion.  
                  It is timely that such a book should be reprinted. Its purpose 
                    is not to provide material upon which to reflect but to serve 
                    as fuel to students and practitioners of architecture  
                    a profession that continues to institutionally resist change 
                    at the beginning of a new millennium. We are reminded, as 
                    Peter Cook writes, that Cedric is our reference. Our 
                    conscience.  
                     
                   
                  
                  
                  
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